
Before I went back to school to get my masters, I was a part-time barista and a fledging pop culture writer for
PopMatters. I wrote a lot about music and in the process developed a sharpened awareness of What's Cool. As a result I can't mention any music without feeling the ire of a hypothetical ultra-hipster indie dude judging my banal and pedestrian tastes. Okay?
So, I don't want to get all
Seth Cohen on you, but five years later I'm still wet for Death Cab for Cutie's
Transatlanticism, particularly the title track that I've referenced
here before. This is in part due to a scene from
Six Feet Under in which Claire and all her cronies get super-high and shatter their art school sangfroid by singing along with with all the earnestness of a pack of stoned boomers sprawled out on the amphitheater lawn during a Doobie Brothers reunion tour (clip
here). They have to be totally fucked up to do it, but for a moment they just enjoy being young, with their friends, and unabashedly
feeling something.
Late in my pregnancy with Bea I was diabolically uncomfortable. I carried that baby high and tight, so by the 32nd week she was wedged under my ribs causing a constant burning ache in my side, especially when sitting up. I made a chiropractic appointment to see if I could get her to shift down a bit, but during the cross-town haul to the chiropractor's office the titular song form
Transatlanticism came on.
I remember it so specifically. It was early January, but it wasn't cold. And I was driving down Fairfax, past Wilshire towards that monster intersection at San Vicente and Olympic. As the song ramped up it occurred to me: I was going to have a baby. And also? It was going to HURT. I felt my tummy full of tightly-packed baby girl and then I thought about how she was going to make her exit/entrance and I thought, "That's a physical impossibility. That's never going to happen." The song swelled and burst out it's refrain and I realized, "OH MY GOD, that HAS to happen."
Just like the art school asshats, but sans whatever the fuck it was they were taking, I dropped the façade. (I was alone in the car, but still.) In that moment, as the song crested and enveloped my car in good will, I remembered her conception and my love for Alden and how this real, live baby was going to finally be a manifestation of my wild, seemingly-unfeasible love for this dude I met on the internet six years earlier.
I resolved to carry that song
into the delivery room. Despite the alarming rapidity of my five-hour labor, I remembered that song, the feeling, the love, the overwhelming psychological urge to get that child out of my gut and into my arms no matter how gruesome the process.
Yesterday I picked Bea up from daycare, drove her home, and she was asleep within the hour. Thus deprived of my face time, I labored on, prepping a tight mothafuckin' PowerPoint for Wednesday's class and chatting with
Krazy Kuzin Timmy on the Facey Space. I don't know why I thought to put
Transatlanticism on, but again overtaken by the slow, dark swell, I quickly found myself scampering into Bea's silent, darkened room to abduct her from her crib and cuddle her to bits. She ate some boob while asleep and then woke up long enough for me to wrap her up in my arms and gawk at her majesty. As she smiled her cheeks rose like floured dough for me to kiss and nuzzle. God, I love that baby.